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VIEW FROM THE TREEHOUSE
Celebrating the creative life and all that feeds it.
Displaying items by tag: setting the tone of your novel
Actually, to date, I’ve only set two of my novels in Maine – Run To Me and Hit and Run – but my most recent thriller, Die For Me, is set in Cape Cod, Massachusetts, which is still in the northeast of America and holds many of the same resonances for me.
The setting of a book can be as important as any character. In fact in stories like Castaway, The Martian, and others it IS a character as it provides the necessary element of conflict the protagonist must battle.
So why Maine and the northeast U.S. for my thrillers? Well, apart from the area's extensive forests, foggy hollows, and long dark winters - all great for establishing mood in a story - there were other factors that drew me.
In my debut thriller, Run To Me, my heroine is suffering PTSD after failing to save her young son’s life during a mugging. In the two years following his death she gradually withdraws from those around her – her husband (who in fact blames her for what happened), her friends, the rest of her family, and even her job.
She eventually winds up living alone in the cabin she helped her father build as a teen. By placing that cabin in the woods of northern Maine I sought to make her as isolated physically as she felt emotionally. When danger finds her in her retreat from the world, she must face it entirely alone.
In my second novel, Hit and Run, I again returned to Maine as my setting. Only this time my aim was to make use of the natural dangers of this rugged environment.
My opening scene is my heroine standing at the top of a waterfall about to step off before something stops her. I actually visited such a location in Maine (the photo for this blog post) and can say with all certainly that moment standing at the top of those falls was the inspiration for my opening scene, as well as the one in the story’s climax.
In Die For Me I use the more ‘civilized’ setting of Cape Cod, an environment I still feel possesses hints of those same potentially dangerous elements. In placing my characters in this more familiar world I hoped to highlight one of the story’s messages: that we sometimes find danger in places – and people – where we don’t expect it.
This element of characters in isolation, forced to confront danger with no outside help, is one I’m drawn to again and again. Which probably explains why the story I’m currently writing, while set in Australia, takes place on an island in the middle of a hurricane where the residents are cut off from the outside world.
Interesting facts I learned about Maine in my research:
Northern Maine has been called the last remaining wilderness in the eastern US and is home to more bear and moose than people.
There are only 8 roads in the entire northern half of the state and they’re all owned by logging companies. To travel some of these roads you have to get a key to open the gates.