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VIEW FROM THE TREEHOUSE
Celebrating the creative life and all that feeds it.
Displaying items by tag: suspense, crime writing, thriller writing, mystery writing, novel writing
I stated in my author greeting (see Home page) that I don’t write crime, I don’t write mystery, I write suspense. So what do I mean exactly?
While there are always some overlapping elements, to me, in their purest form, crime, mystery, suspense, and even thrillers are distinct genres.
The classic mystery is about solving the puzzle. It’s largely an exercise in deduction and the pay-off for the reader is intellectual.
The mystery protagonist is usually trained in some way – a police detective, private eye, forensic expert, medical examiner, profiler, etc. Even the amateur sleuth has qualities that elevate him above the other story characters.
Whatever his training, the protagonist in a mystery is the one in charge and is usually one step ahead of the reader, showing the way and uncovering clues with his superior knowledge, training and insight.
Crime fiction is similar to mystery in that it focuses on the investigation. I once heard a publisher say at a conference, ‘With crime there’s a body on the first page and the rest of the story is about finding the killer.’
As with mystery, the crime protagonist generally possesses some kind of training. While he or she may come into danger and suffer setbacks, it’s the mental challenges of solving the case that take center stage.
So again, the pay-off for the reader of crime is mostly intellectual.
Suspense on the other hand is all about emotion. The protagonist has little special training and is unprepared for the dangers they face. Their journey through the story involves personal growth. To survive their ordeal and defeat the bad guys, the suspense protagonist must reach deep inside him/herself to find courage and strength they never knew they had.
In suspense the reader knows things the protagonist doesn’t which helps generate tension. What gets the reader to the edge of their seat is knowing the killer is hiding in the closet when the hapless protagonist goes to open it.
The pay-off for the reader of suspense is emotional.
Thriller is a term loosely used these days but to me a true thriller is suspense on steroids, meaning some element of the plot is beefed up or taken to the next level.
Fast pacing is sometimes enough to earn a novel the label ‘thriller’ but more often it involves elevated stakes. In suspense the protagonist and his loved ones are usually the only ones in danger, whereas in a thriller the threat is to a wider community – cities, countries, even the whole world.
International Thriller Writers based in New York, groups all these genres under the heading ‘thriller’. American bookstores have them shelved together in their ‘mystery’ section, and Australian bookstores group them under the umbrella of ‘crime’. But that is simply for ease of marketing. To fans (and writers) of each of these genres they are distinct.
So why do I love suspense above the others? It’s the under-dog element that gets me.
In most mystery and crime novels the villain and hero are equally matched. In suspense, the protagonist is the clear under-dog, their skills and training no match for the bad guys.
In fact I like taking things one step further and giving my protagonists some deep flaw or past trauma that makes them even less likely to succeed.
My protagonists don’t even know themselves what they’re capable of until they’re tested by events in the story. And it’s usually because of their love for someone else that they find the courage to meet the challenge.
For me there’s no struggle more compelling than that.