When I first started writing fifteen years ago someone offered me the usual advice: write what you enjoy reading. I thought that was pretty obvious – who would write a book they wouldn’t want to read? So I didn’t give it very much thought.
Fast forward ten years (and 8 unpublished novels) later, and I again heard that phrase put a bit differently – write the book you would love to be reading. Maybe it was the pile of rejections I had by then collected, but the statement pulled me up this time and I sat down and gave it some serious thought.
I imagined myself walking into a book store and seeing my most recent creation there on the shelf beside the books of my favorite authors, and I asked myself, which one would I buy? I’m not talking voice or style here, just the story itself. Which would I enjoy reading most – the one I had written, or the one some total stranger had written?
The answer stunned me. I wasn’t sure.
The fact I even hesitated blew me away. I’m a writer. When I put a story together I’m in control of every aspect of it – the setting, the characters, what happens to them, how it all ends. With that much power, how could I fail to create a story I loved more than any other?
The answer that came to me seemed a bit crazy: maybe I didn’t know what I loved. I could obviously recognize it when I saw it in someone else’s work, but maybe I needed to clarify those elements before I could incorporate them into my own.
With this as my goal, I sat down and wrote out lists of ‘my favorites’ – novels, films, protagonists, villains, settings, dramatic situations, most moving scenes, etc. Anything and everything related to storytelling.
When I finished, I went through my lists and defined what I loved about each item. Then I looked for recurring elements, clues that might lead me to even deeper levels of personal meaning. In some cases I had to look closely. (Aliens and The Client might not seem to have much in common but I assure you, for me, they do.)
What I ended up with in doing this exercise was a trove of treasures. These at last were my loves defined. These were the elements of theme, character, plot and setting that had deep personal meaning for me.
Looking back at my earlier novels, I could see I’d incorporated some of these elements into every one. But never had I combined them all into one story.
So that’s what I did. I took all my favorite elements – my favorite character types, my favorite theme, my favorite setting, etc – put them together and said, ‘Right, this is what I have to work with. Create a story using these elements.’
The result was Run To Me. And from the moment it began to take shape in my mind it was my favorite of any story I’d ever written.
The moral for me? Only by clearly defining what moves me can I communicate it to others.