Displaying items by tag: novel writing
Recently I watched the movie ‘Their Finest Hour’ about an English film company tasked with producing an uplifting patriotic film about their country’s involvement in World War Two. The part I found most interesting as a novelist was how the three screenwriters went about creating a plot for their film.
For years, in choosing the plots for my novels, I’ve obsessed about finding just the right one, the story I was ‘meant to tell’. I used my own feelings regarding a premise to guide me in deciding whether to develop it further. I thought the more passionate I felt about an idea, the better the story would turn out.
To an extent that’s true and I still believe it. However after watching Their Finest Hour and seeing how those screenwriters went about creating a story, I’m starting to expand my thinking on this.
These three writers were simply presented a topic by their producer and told to go off and come up with a plot. They were given three elements they had to include: the story had to feature two English sisters, it had to have an uplifting ending, and somewhere in the middle somebody had to save a dog.
That’s all the writers were given. Nobody asked them if this was a topic they felt passionately about. Nobody cared if this was a story they ‘had to tell’. And yet they managed to put together a film that made audiences laugh and cry and cheer.
So I realize now that creating a great story needn’t only be about what an author personally loves. I’m thinking that, as a professional writer, I should be able to create a moving story from any marketable high concept premise whether it’s my particular passion or not. In the same way I, as a professional violinist, could play the music of composers I didn’t particularly like (even Strauss!) as musically as I did my personal favorites. I brought the same training and knowledge of my art to play all music equally well.
The trick I think is to make from that marketable idea something you do feel passionate about. The passion isn’t in the idea itself perhaps but in what you bring to it, your own personal take on the subject.
I'd love to hear other's takes on this.
Helen van Rooijen
It often works for me. At EW sessions I'm often surprised when I can write on the given topic and even take it to a complete - if rough - story. Thanks for the idea. I'm at a pinch and will try this to get past the block. So far I've just gone back and edited hoping that the next bit will come - now I'll drop the seat of the pants (plus general plot) method and work more on the toss ideas into my mind and let the plot develop more. I'll let you know.... ps I do plot out a whole story but I also let it happen along the way. It's hard working on my own with no 'bounce-off ' That's why I love the retreats. Cheers
Thanks for that, Helen. Yes, I get a lot out of brainstorming ideas as well. I confess I do have more trouble than most writing to a given prompt. I think I need to 'loosen up' more!
Winter is approaching here in Australia and I’m in my element! After a long dry summer, plagued with bush fires, the rains have come, the landscape is turning lush and green, and I’ve settled into my most productive time of the year writing-wise.
I know lots of people hate rainy days but I love them. (There’s actually a name for people like us – pluviophiles!) Somehow – and I haven’t yet figured out why this is so, so if anyone has any idea please tell me – rainy days make it so much easier to slip into the ‘fictive dream’, the world of my story.
During winter I rise at 4:45 and am at my desk working by 5am. The world is so quiet at that hour. No distractions, no interruptions.
I work for about 90 minutes and by the time I’m done, the sun’s coming up so I go for a walk. In the still morning twilight it’s easy to remain in the world of my story so I always carry a notebook and pen to jot down any ideas that come to me.
After my walk I have breakfast and go back to my desk for another 90-minute session. This means that most days my goal of writing 3 solid hours is accomplished by 11 o’clock.
As well as capitalizing on quiet, scheduling my writing early in the day puts it foremost in my mind. I do it before I’ve checked my emails, read the paper, or engaged in any social media. An approach put forward in books such as Deep Work by Cal Newport and Miracle Morning by Hal Elrod & Steve Scott.
After my writing is done for the day I can relax. Though I do aim to get in a bit of study and reading in the afternoon, these are ‘second tier’ tasks that aren’t as crucial. With my most important work behind me, I can be more flexible and enjoy impromptu visits from my grandson or time with friends.