Displaying items by tag: novel writing, revision, editing, creative process, dialogue, characterization
Yesterday I finished the first draft of my current novel, No Good Deed - a contemporary thriller set in the Adelaide Hills of South Australia.
Today I began the revision process. I worked for a total of four-and-a-half hours and loved every minute!
It’s funny how some writers love revision and others hate it.
Some authors live for the exhilaration of putting their first draft down on the page. For them it's an act of total freedom. But once that initial draft is finished, they look upon the polishing yet to be done with a sense reluctance and despair.
I’m the opposite. I love editing. To me it feels like the hard work is done and now I get to play with what I created. But it isn't just the tinkering I love, it's the magic that takes place during the phase.
When I write a first draft, I try to write as fast as I can and not edit as I go. I think of each sentence as simply a place holder for what will eventually be there in the end. Even if it’s a total cliché, it doesn’t matter – I just have to get the basic meaning and sentiment down.
As I go through my draft a second time, I begin refining these basic sentences to contain more of my own author voice. Now that I know my characters better I also start giving them more individual ways of speaking.
It amazes me to see how a page of generic dialogue can come alive when I change each line to reflect that character’s unique personality.
For example, in my first draft I had a character say, 'Hurry, we open in fifteen minutes.' A pretty generic line of dialogue, basically anyone could've said that. But today as I went back over that scene, I changed the line to, 'Better get cracking. Only fifteen minutes to show time.' Not a huge difference perhaps but more in keeping with my character's personality. And if you make lots of little changes like that it does add up.
What also amazes me is this: Occasionally I'll write a conversation designed to get across certain information to the reader. That dialogue might not be terribly interesting on its own.
But…and here’s the part I love…When you add what the characters are thinking and feeling, everything changes. Suddenly that scene of boring conversation is infused with fascinating subtext.
A character might say one thing and think something completely different, revealing themselves to be dishonest, conflicted, afraid or unwilling to hurt another's feelings.
Or a character might voice a certain sentiment while their actions declare they're feeling something quite different. I love when that happens!
So, yes, I really enjoy the revision stage. To me it’s as though I can finally say, 'the Christmas tree is up. Now I get to decorate it!'